KILL ME/ MARINA OTERO
How to poetize a mental disorder? How to transform despair into a staging? How to bring the soul closer to the body?
ONE NIGHT AT THE GOLDEN BAR/ ALBERTO CORTÉS
"If something pushes me to put something like this on stage, it is the eternal dilemma we are going through regarding the tensions with The Romantic, an unresolved conflict that shows that we think of formulas and strategies from queer theory to move away from masculine toxicities and heteropatriarchal structures that overwhelm us, but at the same time we can fall sick with desire and romanticize a man who plows the earth, Man in capital letters. That crack, that clumsiness, is this play."
RABIA/ CLAUDIO TOLCACHIR & LAUTARO PEROTTI
From the novel by SERGIO BIZZIO
ADENTRO/ DIANA SZEINBLUM
"If I take it as true that dance compromises every idea of the body, then I could change the title from “Argentine Dances” to “Argentine Bodies”. Some say that traditional dances are the being of the people, therefore it could be said that the being of the people is the body. How is the body that dances the people? Physically investigating what the body does when it moves traditionally dancing their dances, is it getting closer to being of the people?"
MI CONTUNDENTE SITUACIÓN/DIANA SZEINBLUM
EFECTOS ESPECIALES/ LUCIANA ACUÑA (GRUPO KRAPP) & ALEJO MOGUILLANSKY (EL PAMPERO CINE)
Efectos Especiales is a performance, in a Site Specific format, that combines cinema, dance and acting.
UN DOMINGO/ PROYECTO MIGRA
This theatre-circus contains vulgarity and flair at the same time. Bodies committed to raw emotions and the most refined courtesies. Un Domingo is a tribute to theatricality. The red curtain does not hide, there are entrances and exits, appearances and disappearances, escapes. A continuous longing for catharsis makes fantasy more accessible.
OTHELO. TERMINA MAL/ Gabriel Chamé Buendia
Four actors, specialists in physical theater, clown, and burlesque, interpret William Shakespeare’s famous tragedy, Othello. Within a setting fully stripped of any every day realism, physical games and the english drama master’s verse converge and confront one another through playful, hilarious, and absurd dialogue.
MEDIDA POR MEDIDA (LA CULPA ES TUYA)/ GABRIEL CHAMÉ BUENDIA
In Medida por Medida a careful dramatic exposition of the moral nature of man in relation to human justice and vice is developed, and it invites reflection on the law, corruption and religion. The play oscillates between the ethical, the sexual and power, contrasting conscience and instinct. In that sense, women occupy a central place with a very current issue: the abuse of power in the political and sexual spheres.
SOMBRAS POR SUPUESTO/ ROMINA PAULA
Shadows, of course proposes an exercise on the language of actresses and actors in the universe of filmmaker Rainer Werner Fassbinder, who always inspired the company's work: its spectral air, rehearsal, translation and repetition as ways of dialoguing with his work.
LA FUERZA DE LA GRAVEDAD/ MARTÍN FLORES CÁRDENAS
After years without seeing each other, an actress and a theater director decide to work together again with one condition: leave behind the vices that once kept them away from each other.
NUESTROS ACTOS OCULTOS/ LAUTARO PEROTTI
A family story of broken relationships and found loneliness. Starring Carmen Machi, Macarena García and Santi Marín.
YOYO / Sebastián Godoy
“The show begins in 5 minutes.”
YO NO MUERO, YA NO MÁS/ FERNANDO RUBIO
Urban performance and intervention with local stories about violence against women and femicides.
GAVIOTA/ Guillermo Cacace
In the Seagull, life seems like an abandoned and rotten stage of a theater play which takes place at the shore of a lake, while wind blows outdoors beneath the curtains and everything sounds like the crying of the defeated. Masha tries to assemble the pieces of this non reciprocated love, dreams that come true but get broken and suffering along years.
SUAVECITA/ MARTÍN BONTEMPO
Suavecita founds a myth. A marginal and sticky fantasy. In the hospital where she works, the rumor spreads behind her back. Eroticism, science fiction and mystery mix in her story as she discovers that her gift is greater than she imagines.
/TO BE RELEASED IN MAY 2025
PARLAMENTO/ PIEL DE LAVA
Parlamento is an investigation into the theatricality of contemporary political discourses.
EL TIEMPO TODO ENTERO/ ROMINA PAULA
About Tennessee Williams' Glass Menagerie
MELISA ZULBERTI/ WORKS
“Acá dice el título del drama sobre Ante”/ Guillermo Cacace
During Ante's twelfth birthday, conflicts not yet elaborated by the boy and his father break out. Keeping the memory of his deceased mother alive justifies all of Ante's attempts to prevent his father from rebuilding his love life. However, another twelve-year-old girl could be the reason for this family, supported by a supportive neighbor, to heal that wound.
Próximo/ Claudio Tolcachir
What happens in the body when affection is occurring all the time, far, beyond our limits? Can we love without touching, without smelling, without knowing the skin of the other? Two beings live a love story from a distance and, little by little, each one becomes the only thing that the other has in the world. But far.
APOCALIPSYNC_
Luciano Rosso presents in this physical theater solo a whole multitude of creative facets. Excellent in several scenic disciplines, he develops particular interpretation movements,, musicality and humor and deploys a series of lip-syncing, mime and dance techniques.
FUCK ME/ MARINA OTERO
“I have always imagined myself in the middle of the stage, as a heroine, taking revenge on everything. But my body couldn’t take so much fighting. Today I leave my space to the performers. I’m going to see how they lend their body to my narcissistic cause.”
LOVE ME/ MARINA OTERO
more than a plot synopsis or brief, this text is a promise: love me will always be a work in progress. the device scenic is not going to vary. but its content will continue to be written eternally and to update in each presentation. when the time has come, Marina Otero is going to sit in front of the public to expose a cluster of nervous intentions without treatment or elaboration. it's not much. but it is much more worthy than crying and crying out to be loved.
DYSTOPIA/ POYO ROJO
After 14 years of touring with the show "Un Poyo Rojo", the company premieres its new work "DYSTOPIA".
TODO LO QUE ESTÁ A MI LADO/ FERNANDO RUBIO
Urban sprawl by Fernando Rubio
OBRA DEL DEMONIO/ Diana Szeinblum
OBRA DEL DEMONIO was commissioned by Ciclo Invocaciones, curated by Mercedes Halfon and Carolina Martin Ferro. The cycle has been running for 10 years now, commissioning directors from the Buenos Aires scene, yet another canonical director in the history of 20th-century theater. Pina Bausch is the artist chosen by the curators for this invocation, at the crossroads with Diana Szeinblum, a long-standing choreographer, who in turn brought together twelve of the most outstanding dancers/choreographers on the current argentine dance scene.
NON SOLUM/ Sergi López & Jorge Picó (ESP)
The actor Sergi López, known for his film career that includes films such as Pan's Labyrinth or Harry, A friend who loves you well, leaves the big screen to present us Non Solum, a monologue written and conceived from improvisation, together with Jorge Picó. A simple starting point: take the audience by the hand and lead them through very different territories, make them laugh, play with the situations. From here on, a real dance of characters, because although Sergi López is a single man, he makes the most of his versatility as an actor to present us with an unusual repertoire of identities. Is it different characters in one person, or is it one character with different voices inside? Sergi López makes Arthur Rimbaud's famous phrase “I am another” his own and it multiplies on stage.
FLOTANTE (Primera Infancia - Early Childhood)
Flotante is an immersive and participatory proposal, a sensory installation with puppets in the air and original music for babies from 6 to 24 months and toddlers from 2 to 4 years old. A shared experience where a mysterious being invites us to immerse ourselves in a new universe of beauty and fiction – almost like in a dream that we all share. Floating appeals to the imagination and opens the perception to different forms of beauty.
UNA/ Miriam Odorico interpreta Pirandello
One-person theater written and directed by Giampaolo Samà, free version of the novel "One, none and one hundred thousand" by Luigi Pirandello
NO HAY BANDA/ MARTÍN FLORES CÁRDENAS
An argentine playwright and director accepts an invitation to premiere his next work at a festival in Brazil. But that work doesn't really exist. No hay banda proposes to review the process of writing and setting up a play, wondering about the limits of existence and representation.
LA VIDA EXTRAORDINARIA/ MARIANO TENCONI BLANCO
All we can imagine somewhere, it exists.
LAS CAUTIVAS/ MARIANO TENCONI BLANCO & COMPAÑÍA TEATRO FUTURO
The water is silver that moves and tremble. The river squeezes the silver of his being. What runs, swirls and jump into the sun is not the river, they are our emotions.
NOESTANGO/ Grupo noestango
A play of dance and live music. Five argentine tango dancers and five musicians immerse themselves in the contradictions of this very particular genre. What happens when music and dance closely tied to the past are immersed in a present full of deconstructions and ruptures?
LO QUE NOS QUEDA POR CONTAR/ FERNANDO RUBIO (WORK IN PROGRESS)
A story that is built with the public.
DE LA MEJOR MANERA/ Jorge Eiro, Federico Liss, David Rubinstein
In the middle of their father's wake, two brothers arrive at the family bar and find the space that their father left. In his tragicomic impossibility of expressing their own pain, claims, mandates, demands arise and intertwine, and disputes over old histories and family secrets are settled. The how to continue, after this loss, is presented in a shouting silence like an abyss at night.
Imprenteros/ Lorena Vega
Imprenteros is a scenic event that tries to review the place lost by three brothers. That printer of the Buenos Aires conurbano where they grew up surrounded of papers, inks, labels, containers and guillotines, was snatched to them and they will not be able to return after the death of their father. With papers, folders, brochures, maps, dances, and photos, an attempt will be made to trace a thread that unites the events that unfortunately brought the printing press to its demise.
UN POYO ROJO/ POYO ROJO
An explosive show that brilliantly unites theater, dance, acrobatics, and sports that is registering all sold out both in Argentina and in Europe. A work that, starting from the language of the body, explores the contemporary world, confronting itself with the movement and its interpretations.
Petróleo/ Piel de Lava
Oil field in Patagonia. Four men live together in a trailer and only a few meters away from there, they extract oil from a well that is almost dry. Above ground, spare time is filled with dust, obscure myths about the area, physical dares. Underground, the rock is fractured to extract up to the very last drop, the very little that remains.
La Omisión de la Familia Coleman/ Claudio Tolcachir
A family living on the edge of dissolution, an obvious but secret dissolution; Living in a house that contains and encloses, building personal spaces within shared spaces, increasingly complex to reconcile.
Encuentros breves con hombres repulsivos/ Foster Wallace - Veronese
The EXPERIENCES Series, emerge from 2 narrative texts by David Foster Wallace and a biodramatic dramaturgy written by Marcus Lindeen. The three works, with different mechanisms, have the particularity of getting us into socially harsh issues, contrasting with the everyday life that we would like to inhabit, but at the same time close. They are uncomfortable, intimate and familiar topics. Places where diving is not always easy.
Tebas Land
Taking as its central theme the figure of the parricide, the Franco-Uruguayan playwright Sergio Blanco writes his play Tebas Land inspired by the legendary myth of Oedipus, the life of Saint Martin and a legal file created and imagined by the own Blanco in which it is narrated the judgment of a young parricida named Martín Santos.