t4/ Al Oeste: capítulos I, II & III/ Martín Flores Cárdenas

If all we can recall is fiction, What about what is left unknown or forgotten? What about the latent or hidden histories that shape us from the shadows? What becomes of that information which, whether concealed or not, continues to influence our very existence?

Al Oeste: capítulos I, II & III/ Martín Flores Cárdenas

 

Identity In different parts of the world, the historical, political, and cultural process of colonialism and structural racism has meant death, atrocious violence, invisibilisation, and the violation of rights for indigenous populations.

Sustained over time, this process generated the phenomenon of "identity denial", and due to shame or to avoid discrimination, many families stopped transmitting their indigenous heritage.

In Argentina, more than half of the population has indigenous ancestry.

However, according to a study by the UBA (University of Buenos Aires), only 2.9% recognize themselves as descendants.

 

In Western, a theatre director and playwright, creates his past in real time. Whatever he writes will be projected onto a white space—a virgin territory to be inhabited or conquered.

During Chapter I (which varies with each performance), the author investigates how that particular performance came about. How the audience came together, for that occasion in that venue. He reflects on theatre production systems and the limits of theatrical language, while questioning the origin of fiction and, by extension, his own origin as a creator. That text gives life to a cowboy—a symbolic figure that forces the author to confront several latent conflicts. Above all, it brings him face-to-face with a part of his history that his family had kept from him: his Native American ancestry.

In Chapter II, the entire associative field previously unfolded converges into a narrative that is wildly queer, violent, and horrifying—a tale that will reveal a new origin to both the author and the audience.

Chapter III, currently in development, will deal with the aftermath of this project.

 

Trailer

Photos

 

On stage Pablo Ragoni, Martín Flores Cárdenas

Set Design Ruslan Alastair Silva

Lighting Design Matías Sendón  

Costume Design Lara Sol Gaudini  

Original Score and Sound design Diego Vainer  

Chapter III theme Ramiro Vergara

Video Design Pablo Camaití

Percussion Coach Luciano Scalera

Choreographic Consultant Marina Otero

Research Collaboration Diana Lenton  

Artistic Asisstant Marcos Krivocapich

Artistic and Choreographic Assistant Bernardita Epelbaum

Booking and Touring t4 y Eliana Staiff

Text and Direction Martín Flores Cárdenas