Viento Blanco is a text for one voice. I have been writing this type of material for several years, exploring a character and taking them to their ultimate consequences. I am interested in characters who have an opaque appearance, nothing extraordinary to say, certain repressions and fears, routines bordering on boredom. Something or someone drives them to live what they barely dared to desire. In Viento Blanco, there are two movements, that of the Mother and that of the stranger. The character of Mario must let go of the memory of his mother to go and meet this man who arrives.

Viento Blanco is also a story that becomes present, a kind of invocation. Throughout the work, there is clerical eroticism, Chinese people, cold-water animals that die on the coast, caves, stones, dark pasts, uncertain futures, loneliness that finds itself, forms of love, and a lot of wind. There is some humor, as well as a faint melancholy, questions that remain unanswered, memories of a place at the end of the world, before oblivion sweeps everything away.

Santiago Loza

Artistic sheet

Cast: Mariano Saborido
Playwright: Santiago Loza
Set: Rodrigo Gonzalez Garillo
Costume: Pablo Ramirez
Lighting: Matías Sendón
Sound: Teo Lopez Puccio
Photos: Sebastián Freire
Grafic design: Martín Gorricho
Assistant directors: Mercedes Aranda, Pablo Cusenza
Assistant production: Florentina Messina
Production: Carolina Castro
Directors: Valeria Lois, Juanse Rausch

Duration: 60 minutes