CLAUDIO TOLCACHIR, on purpose of RABIA

There are projects that take over our bodies in an almost obsessive way and do not let us go until the light is seen. Rage is one of those. Ever since I read the novel, I was trapped by images, sensations, moments that marked me deeply until I sensed that the morbid pleasure that revisiting history caused me could be a unique and fascinating theatrical ceremony.

Telling this story is immersing yourself in the riskiest adventure. The protagonist's story is risky, the mission of deploying it in space is risky.

But why do theater if we are not going to jump into the abyss, go crazy with love and fright? If we are not going to tremble before we begin, embraced with those who give meaning to our vocation and our work?

The story and creation

Why does a man risk living on the edge of the impossible, running all the risks, inhabiting uncertainty, minute by minute, until he gets used to it, raising the stakes, crossing the margins, like an unstoppable inertia that has no explanation? and at the same time it is inevitable, until reaching something that perhaps he himself was not looking for?

I'm talking about Rabia, without a doubt, but I'm also talking about creation, the unmanageable vertigo of feeling that a story found us, kidnapped us without much explanation and asked us to be told.

In a workshop, a plastic artist is inevitably submerged in the story of a man who is irretrievably submerged in a story that he himself did not search for.

Artistic Sheet

Interpreter: Claudio Tolcachir

Direction: Claudio Tolcachir and Lautaro Perotti

Adaptation: Claudio Tolcachir, Lautaro Perotti, María García de Oteyza and Mónica Acevedo

Lighting: Juan Gómez Cornejo

Sound Space: Sandra Vicente

Video Scene and Scenography: Emilio Valenzuela

Assistant Directors: María García de Oteyza and Mónica Acevedo

Distribution: Producciones Teatrales Contemporáneas

Production: Producciones Teatrales Contemporáneas, Timbre 4 and Morris Gilbert – Mejor Teatro

Duration: 75 minutes